R O U N D W E A T H E R

R O U N D W E A T H E R

Remembrance of Things Paper

May 13 - July 5, 2021

Todd Anderson

Todd Anderson
Breidablik Peak & Weeping Glacier seen from Moraine Field at Summit Lake
from the artist's book The Last Glaciers of Akshayuk Pass, Volume II
2021
photopolymer gravure on Crown Kozo washi paper
edition of 20
25 3/4 x 18 5/8 in. framed

Todd Anderson
Title Page: The Last Glaciers of Akshayuk Pass, Volumes I and II
2021
pigment print
25 x 18 5/8 in. framed

Todd Anderson
The Sandcastle
from the artist's book The Last Glaciers of Akshayuk Pass, Vol. I
2021
photopolymer gravure on Crown Kozo washi paper
edition of 20
26 3/4 x 18 5/8 in. framed

Essay: The Last Glaciers of Akshayuk Pass
essay by Todd May
printed by Todd Anderson
2021
pigment print
25 x 18 5/8 in. framed

Todd Anderson
Juniper 1, Bears Ears National Monument, Utah
from the artist’s book Sentinels
2021
reductive woodcut on thick Kozo washi paper
loose edition of 7
28 7/8 x 35 1/z8 in. framed

Todd Anderson
Breidablik Peak & Weeping Glacier seen from Moraine Field at Summit Lake
from the artist's book The Last Glaciers of Akshayuk Pass, Volume II
2021
photopolymer gravure on Crown Kozo washi paper
edition of 20
25 3/4 x 18 5/8 in. framed

Todd Anderson
Title Page: The Last Glaciers of Akshayuk Pass, Volumes I and II
2021
pigment print
25 x 18 5/8 in. framed

Todd Anderson
The Sandcastle
from the artist's book The Last Glaciers of Akshayuk Pass, Vol. I
2021
photopolymer gravure on Crown Kozo washi paper
edition of 20
26 3/4 x 18 5/8 in. framed

Essay: The Last Glaciers of Akshayuk Pass
essay by Todd May
printed by Todd Anderson
2021
pigment print
25 x 18 5/8 in. framed

Cecilia Andrews

courtesy Municipal Bonds

Cécilia Andrews
Faces Series 5
2019
collage on paper
32 3/4 x 25 in. framed
courtesy Municipal Bonds

Todd Bartel

Todd Bartel
Witness 10 a & b
In the Shadow of Man — Negative Space Beneath An Italian Walnut, Marquetry, Crossbanded, and Strung Side Table Set Within Regis Francois Gignoux’s View of the Hudson River Valley 1849
3.125 x 6.75 inches
Pastoral Landscape with Side Table Still Life — Regis Francois Gignoux’s View of the Hudson River Valley 1849 Beneath An Italian Walnut, Marquetry, Crossbanded, and Strung Side Table
4.125 x 4.5 inches
2010
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape

Todd Bartel
Witness 12 a & b
Extensive Landscape with a River and Mountains in the Distance, Attributed to Jacob Konica I, circa 1653, with Remnants from An Important Twelve-tile, Oak Tea Table by Gustav Stickley & Grueby Faience Co. circa 1902
4 1/2 x 6 1/2 in. unframed
An Important Twelve-tile, Oak Tea Table by Gustav Stickley & Gruby Faience Co. circa 1902, with Landscape Attributed to Jacob Konica I circa 1653
7 1/4 x 7 1/4 in. unframed
2018
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape

Todd Bartel
Witness 7 a & b
Charles and Ray Eames for Herman Miller Furniture Co., Zeeland, MI, ESU Storage Unit 150-C Designed 1949-50, Produced 1950-55 with Martin Johnson Heade's Sunrise, FL, c. 1890
4 1/8 x 4 1/2 in. unframed
Negative Space and Shelf of Charles and Ray Eames for Herman Miller Furniture Co., Zeeland, MI, ESU Storage Unit 150-C Designed 1949-50, Produced 1950-55 Set Into Martin Johnson Heade's Sunrise, FL, c. 1890
3 1/8 x 6 3/4 in. unframed
2005
burnished interlocking collage, auction house catalog cuttings,
watercolor, document repair tape

Todd Bartel
Witness 14 a, b, & c
Unknown Antique Decorative Serving Table with Fragments from Francis A. Silva's A Midsummer's Twilight, and Fragments from Albert Bierstadt's Western Kansas
10 1/2 x 8 in. unframed
A. Silva's A Midsummer's Twilight with Tray Fragments from an Unknown Antique […]
3 1/2 x 6 1/3 in. unframed
Albert Bierstadt's Western Kansas […] and Some Negative Space—A Twister for Dorothy
4 1/3 x 6 1/3 in. unframed
2021
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape

Todd Bartel
Witness 10 a & b
In the Shadow of Man — Negative Space Beneath An Italian Walnut, Marquetry, Crossbanded, and Strung Side Table Set Within Regis Francois Gignoux’s View of the Hudson River Valley 1849
3.125 x 6.75 inches
Pastoral Landscape with Side Table Still Life — Regis Francois Gignoux’s View of the Hudson River Valley 1849 Beneath An Italian Walnut, Marquetry, Crossbanded, and Strung Side Table
4.125 x 4.5 inches
2010
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape

Todd Bartel
Witness 12 a & b
Extensive Landscape with a River and Mountains in the Distance, Attributed to Jacob Konica I, circa 1653, with Remnants from An Important Twelve-tile, Oak Tea Table by Gustav Stickley & Grueby Faience Co. circa 1902
4 1/2 x 6 1/2 in. unframed
An Important Twelve-tile, Oak Tea Table by Gustav Stickley & Gruby Faience Co. circa 1902, with Landscape Attributed to Jacob Konica I circa 1653
7 1/4 x 7 1/4 in. unframed
2018
burnished interlocking collage, auction house catalog cuttings, watercolor, document repair tape

Todd Bartel
Witness 7 a & b
Charles and Ray Eames for Herman Miller Furniture Co., Zeeland, MI, ESU Storage Unit 150-C Designed 1949-50, Produced 1950-55 with Martin Johnson Heade's Sunrise, FL, c. 1890
4 1/8 x 4 1/2 in. unframed
Negative Space and Shelf of Charles and Ray Eames for Herman Miller Furniture Co., Zeeland, MI, ESU Storage Unit 150-C Designed 1949-50, Produced 1950-55 Set Into Martin Johnson Heade's Sunrise, FL, c. 1890
3 1/8 x 6 3/4 in. unframed
2005
burnished interlocking collage, auction house catalog cuttings,
watercolor, document repair tape

Ajit Chauhan

courtesy Anglim/Trimble

Ajit Chauhan
The Four Seasons
2019
erased record cover
16 3/8 x 16 3/8 in. framed
courtesy Anglim/Trimble

Ajit Chauhan
Death & Transfiguration, Strauss
2019
erased record cover
16 3/8 x 16 3/8 in. framed
courtesy Anglim/Trimble

Ajit Chauhan
American Academy
2019
erased record cover
16 3/8 x 16 3/8 in. framed
courtesy Anglim/Trimble

Ajit Chauhan
Untitled
2020
erased postcards
20 x 23 in. framed
courtesy Anglim/Trimble

Ajit Chauhan
ambos mundos (both worlds)
2021
erased postcard
4 x 6 in. unframed
courtesy Anglim/Trimble

Ajit Chauhan
ambos mundos (both worlds)
2021
erased postcard
4 x 6 in. unframed
courtesy Anglim/Trimble

Ajit Chauhan
The Four Seasons
2019
erased record cover
16 3/8 x 16 3/8 in. framed
courtesy Anglim/Trimble

Ajit Chauhan
Death & Transfiguration, Strauss
2019
erased record cover
16 3/8 x 16 3/8 in. framed
courtesy Anglim/Trimble

Ajit Chauhan
American Academy
2019
erased record cover
16 3/8 x 16 3/8 in. framed
courtesy Anglim/Trimble

Ajit Chauhan
Untitled
2020
erased postcards
20 x 23 in. framed
courtesy Anglim/Trimble

Michelle Yi Martin

Michelle Yi Martin
Mapping S-Town
2020
acrylic, wool, tyvek, paper
31 x 28 in.

Michelle Yi Martin
a lasting catch
2021
nettle, monofilament
dimensions variable

Michelle Yi Martin
A Swedish Party
2020
wool, jute, polyester, latex balloons
42 x 24 in.

Michelle Yi Martin
last catch
2021
monofilament, jute, nettle
dimensions variable

Michelle Yi Martin
Hold On #2
2021
paper, ink, pastel
26 x 22 in.

Michelle Yi Martin
Mapping S-Town
2020
acrylic, wool, tyvek, paper
31 x 28 in.

Michelle Yi Martin
a lasting catch
2021
nettle, monofilament
dimensions variable

Michelle Yi Martin
A Swedish Party
2020
wool, jute, polyester, latex balloons
42 x 24 in.

Michelle Yi Martin
last catch
2021
monofilament, jute, nettle
dimensions variable

Daniela Naomi Molnar

Daniela Naomi Molnar
New Earth 4 (Pipeline)
2018
natural and synthetic pigments and rainwater on paper
22 1/2 x 30 in. unframed

Daniela Naomi Molnar
New Earth 5 (Pipeline / Western United States)
2018
natural and synthetic pigments and rainwater on paper
22 1/2 x 30 in. unframed